Paint on Skin, Alexander / Heath Contemporary Art, Roanoke, VA
Films Old and New by Katy Martin, Anthology Film Archives, New York

Local Color, The Film-Makers’ Cooperative, New York

After Bada Shanren, The Narthex Gallery at Saint Peter’s Church, New York

Water Mountain, Drawer 158, New York, New York

The Jade Said, B1 Live Art Space, Shanghai, China

Forget About Doing Art, Shanghai Duolun Museum of Modern Art, China

Shadow Boxing, P.S. 122 Gallery, Hallway Project, New York
Paint on Skin, Film and Photography Gallery, Hampshire College, Amherst, MA


Inscribing the Skin: Katy Martin and Diana Quinby, Alexander Heath Contemporary Art, Roanoke, VA

Robert Huot and Katy Martin, Galerie Arnaud Lefebvre, Paris

Justice Is Compassion,
Abrazo Gallery, The Clemente, New York (3-person with Jackson Krall and Tine Kindermann)
Robert Huot, Katy Martin and Bill Brand, Galerie Arnaud Lefebvre, Paris (3-person)

Bill Brand and Katy Martin: Body, Lens, Brush, Galerie Arnaud Lefebvre, Paris, France
Films by Bill Brand and Katy Martin, Light Cone Scratch Projection, Paris
Figure Painting, Alexander / Heath Contemporary Art, Roanoke, VA (with Robert Huot and Anthony Panzera)

Illusive Views, Pingyao International Photography Festival, Pingyao, China (3-person with Yamini Nayer and Richard Jochum)

Films by Bill Brand and Katy Martin, The Catholic University, Montevideo, Uruguay

EXHIBITIONS as THE MEETING POINT PROJECT - a collaboration with 3 Paris artists

LIVE IN PARIS: The Meeting Point/Performance,
Nocturnes de l’Aude, Paris (live performance)

The Meeting Point / Between / White / Silence and Us
, SACD, Paris, France (film screening)
Crossing Movements, Art and Its Double, Beijing Audiovisual Center, Beijing, China (group exhibition and live performance) - with the exhibition traveling to 5 cities in China

The Meeting Point // Paris-New York,
Galerie Double S, Paris, France (gallery exhibition)


Vision Festival 23, onstage projections, Roulette, Brooklyn, New Ylrk

The Modeling of the Medium, Art Museum of the Fine Arts College of Shanghai University, Shanghai, China
A More Store: Colab at Printed Matter, Printed Matter, New York

On-stage Projection, The Vision Festival at the Judson Church, New York

Words into Images, Images into Words, Heliopolis Gallery, Brooklyn, New York

Skin Trade: an in-depth look at the surface of things, PPOW Gallery, New York

Jasper Johns: In Press/The Crosshatch Work and The Logic of Print, The Sackler Museum / Harvard Art Museums, Cambridge, MA (continuous screening of the films, Hanaduda/Jasper Johns and Silkscreens)
Come Closer: Art Around the Bowery, 1969-1989, The New Museum, New York
Heart + Art, DM Contemporary, New York, New York
The End of the World, The Streaming Museum,

Urban Landscape in Cinematic Transformation, Anthology Film Archives, New York
Argument of the Eye, Uniondocs, New York

Through Our Eyes: Berlin/New York, GalerieForum Am Meer, Berlin, Germany
New York Avant-Garde Cinema, 23rd Singapore International Film Festival, Malaysia
Inside/Outside: Short Videos from China, Montclair Film Forum/MSU, New Jersey
For the Birds, Anthology Film Archives, New York

Chinatown Film Project, Museum of Chinese in Americas, New York
Through Our Eyes: Wuppertal/New York, The Metropolitan Museum of Art and The Painting Center, New York
Case Study: Eye World, Triple Candie, New York
By Night – No Stillness, Vision Collaboration Festival, Symphony Space, NY

A State of Mind, Vision Festival, Angel Orensanz Foundation, New York

Through Our Eyes, New York, Green Dog Arts, Belfast, Northern Ireland
In Black and White and Living Color, Tribeca Film Festival, New York

It was here a minute ago! NURTUREart Gallery, Williamsburg, Brooklyn
New York, New York, Shanghai Duolun Museum of Modern Art

Memoria, Homage to El Salvador, The Brecht Forum, New York, New York
Superheroines, Gallery Onetwentyeight, New York, NY

Key to the Quick, Next Wave Festival, Brooklyn Academy of Music, New York

Big as Life: An American History of 8mm Films, The Museum of Modern Art, New York

Big as Life: An American History of 8mm Films, The Museum of Modern Art, New York

Gesture and Geometry: Battenfield and Martin, Hampshire College, Amherst, MA

Three Dimensional Photographs, Castelli Graphics, New York


The New Orleans Museum of Art

The Arthur M. Sackler Museum/Harvard Art Museums, Boston, MA

The Metropolitan Museum of Art, New York

The Museum of Modern Art, New York

The National Gallery of Art, Washington, DC

The Walker Art Center, Minneapolis, Minnesota

The Tel Aviv Museum of Art, Tel Aviv, Israel

The Kunstmuseum, Basel, Switzerland

The Isetan Museum, Tokyo, Japan

Fukuoka-Kenritsu Museum, Fukuoka, Kyushu, Japan

Yokohama Museum, Yokohama, Japan

Castelli Graphics, New York (to inaugurate a new gallery)

PUBLICATIONS (writing and photographs)

“In Dialogue: Katy Martin & Jo Wood-Brown - art & jazz as dialogue,” ARTEIDOLIA, January 2019, online publication,

“Katy Martin, Local Color,” KATALOG - Journal of Photography and Video, Vol. 29.2, 2018, pp. 62-65. Jens Friis, Editor-in-chief, published by Designkompagniet, Denmark.

“Beauty, Longing, and Fear” by Katy Martin and Linda Cummings, Making Sense – Beauty, Creativity and Healing, edited by Bandy Lee, Nancy Olson, and Thomas P. Duffy, New York: Peter Lang Publishing, 2014.

“Ellen Zweig and Leslie Thornton: In Conversation with Katy Martin,” Split Attention, 53 Art Museum (catalogue), Guangzhou, China, fall 2011

“Here and There: An Interview with Vincent Grenier for an Exhibition in China,” Millennium Film Journal #53, New York, fall 2010. (lead article)

“Daichi Saito and Tomonari Nishikawa Interviewed by Katy Martin,” EXiS Asia Experimental Media Issue, edited by Hang-Jun Lee, Seoul, Korea: Common Life Books, 2009. (These interviews were also published in Korean and Chinese).

“Interview with  Vincent Grenier.” Yishu Shijie (Art World Magazine), Shanghai, China, Dec08

“Interview with  Su Friedrich.” Yishu Shijie (Art World Magazine), Shanghai, China, Oct 08

“Interview with  Saul Levine.” Yishu Shijie (Art World Magazine), Shanghai, China, Aug 08

“Interview with Leslie Thornton.” Yishu Shijie (Art World Magazine), Shanghai, China, June 08

“Forget about Doing Art.” Katy Martin interviewed by Zhu Haijian, Yishu Shijie (Art World Magazine), Shanghai, China, Jan 05, pp. 46-50.

Cover photo, Be-Hold #39 (catalog of 19th and 20th century photographs), New York, 2002.

Cover photo and book design.  Giannina Braschi, El imperio de los sueños, San Juan: University of Puerto Rico Press, 1999.

“Art, Danger and Sacred Space. Bomb Magazine, Spring, 1999, p. 81 and pp. 104-105, ill.

“Nick Pappas on Plato and Wittgenstein.” Interview with philosopher Nickolas Pappas, BOMB Magazine, summer, 1996, pp. 66-70, ill.

"An Interview with Jasper Johns about Silkscreening." Jasper Johns: Writings, Interviews and Work Notes, New York: The Museum of Modern Art, 1996.

"An Interview with Jasper Johns about Silkscreening" and frontispiece/photos. Jasper Johns:  Printed Symbols, The Walker Art Center,  Minneapolis, Minnesota, 1990. Retrospective, The Museum of Modern Art, New York, 1986.

Frontispiece photo and extensive quotes.  Riva Castleman, Jasper Johns, A Print

Drawing, Bomb Magazine, fall, 1985, p.73.

Drawing, Bomb Magazine, winter 1983, p. 24.

"Marcel Duchamp's ANEMIC-CINEMA."  Studio International, London, Jan./Feb. 1975. (special issue on Duchamp)


Vera Dika, “Pastiche or Critique: Reworking the Canonical Avant-Garde, and the Female Body,” Quarterly Review of Film and Video, May 2019, 36:3, 157-172
published online by Routledge,

Greg Allen, “Jasper Johns Making Silkscreens by Katy Martin,”, May 23, 2012.

Sarah Kirk Hanley, “Ink / Jasper Johns’s Revolution in Print,” Art 21 Blog, June 1, 2012.

Amy K. Hamlin, “A Heuristic Event: Reconsidering the Problem of the Johnsian Conversation.” Journal of Art Historiography, Number 7, Dec. 7, 2012.

Elena Sorokina, "Terrain Vague as Setting: Chinese Video in New York." Performing Arts Journal (PAJ), MIT Press, September 2006, pp. 60-65, ill.

Zhu Haijian, "New York, New York at the Shanghai Doland," Art World Magazine, Shanghai, China, September 2005.

Juan Fernando Merino, “Pero si estaba aqui hace un minuto!,” El Diario La Prensa, May 1, 2005, ill.

Larry Gottheim, "Catch," Be-Hold #39, New York, March, 2002, p. 34, ill.

Morning Edition, National Public Radio, March 6, 1990.

Tokuzo Okabe, Feature article on the film, HANAFUDA/JASPER JOHNS.  Bijutsu Techo, Tokyo, Japan, March, 1987.

Dalia Judovitz, "Anemic Vision in Duchamp," Dada and Surrealist Film, Rudolf Kuenzli ed. NY: Willis Locker & Owens, 1987, pp. 55-56.


Anthology Film Archives – Film Preservation Project, 2012-15, New York, with funding from the National Film Preservation Fund and The Andy Warhol Foundation for the Visual Arts

Lower Manhattan Cultural Council - Manhattan Community Arts Fund, 2002

National Endowment for the Arts, Artist’s Fellowship in Painting, 1989      

P.S. One/The Clocktower, Studio Artist Residency, 1977-78


Artist-in-Residence, The Fine Arts College of Shanghai University, Shanghai, China
K11 Art Center, Shanghai (artist’s talk -  with Bill Brand and Vincent Ward)

Visiting Artist, International Center for Photography, New York

Moving Figure/Shifting Ground, Yale Medical School, New Haven, CT
Visiting Artist, International Center for Photography, New York

Global Culture / Local Color, Making Sense Colloquium, Cite Universitaire, Paris, France

Beauty, Longing and Fear, Making Sense Colloquium, Yale Medical School, Yale University, New Haven, CT (keynote session with philosopher Elaine Scarry and artist Linda Cummings)

New Chinese Video, Maryland Institute College of Art (MICA), Baltimore, MD
New Chinese Video, Massachusetts College of Art (MassArt), Boston

Visiting Artist, China Central Academy of Fine Art (CCAFA), Beijing, China

Visiting Artist, Shanghai Normal University, Shanghai, China
Visiting Artist, Shanghai University (East Campus), Shanghai, China


Vermont College of Fine Arts, Montpelier, Vermont, MFA in Visual Art, 1997
Antioch College, Yellow Springs, Ohio, BA, 1973 (double major in art and literature)


Breathing Twice, 2009, video, color, sound, 7 minutes

By Night – No Stillness, by Katy Martin and Miriam Parker, 2009, video, color, sound, 10 minutes - with music by Hamid Drake and sculpture by Jo Wood-Brown

Swan’s Island, by Katy Martin and Bill Brand, 2005, video (from 16mm film), color, sound, 5 minutes

Skinside Out, by Katy Martin and Bill Brand, 2002, video (from 16mm film), color, sound, 11 minutes

Hanaduda / Jasper Johns, 1981, video (from super 8mm film), color, sound, 35 minutes

Silkscreens, 1978, video (from super 8mm film), color, sound, 20 minutes – with music by Richard Teitelbaum

Swimming Around with the Continents, 1977-2015, video (from super 8mm film), color, silent, 10 minutes

Apple Butter Boil, 1979-2013, video (from super 8mm film), color, silent, 8 minutes

Bill’s Film Shoot, 1978-2012, video (from super 8mm film), silent, 7 minutes

Dot Squared, 1977-2012, video (from super 8mm film), color, silent, 3 minutes

Flowers and Birds (Kacho), 1979, super-8mm film, color, silent, 8 minutes

Tyrone, Pa, 1977, video (from super 8mm film), b&w, silent, 14 minutes

Daffodils, 1977, video (from super 8mm film), color, silent, 3 minutes

with Katy Martin, Christophe Averlan, Jérôme Liniger, and Nicolas Jacquette

The Meeting Point, 2012-15, video, sound, 6 minutes

Between 2015-16, video, sound, 5 minutes

White 2015-16, video, sound, 5 minutes

Silence and Us 2016, video, sound, 5 minutes